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![]() Photo: Devin Poore Dancer: Kristen Mangione |
Over. And Over. And Over. (2004) 10 minutes A solo for Kristen Mangione exploring the obsessive nature of not letting go of something. |
![]() Video Capture: Devin Poore Dancer: Amelia McCarthy, Kristen Mangione |
I, Not I (2004) 10 minutes A dance for two women, it is an encountering of the shadow, or deeper self, with the everyday person on the outside. Steve Roach’s minimalist score frames play between the instinctual and the evolved. |
![]() Photo: Joseph E. Reid Dancers: Sarah Wagner, Kimberly Craigie, Alison Cook |
Skin Deep (2001) 65 minutes Charlie's Angels, Laura Ingalls, Cindy Crawford, Madonna... Who did you want to be when you grew up? |
![]() Photo: Joseph E. Reid Dancers: Amelia McCarthy, Terence Duncan |
Another Valentine (2000) 10 minutes A duet featuring the heartbreaking account of one woman's inner most desires. Inspired by the paintings of Gustave Klimt and text from Jeanette Winterson's The Passion, a pivotal love affair is distilled and blown apart through movement. |
![]() Photo: Rosalie O'Connor Dancers: Jessica Swainbank, Francesca Todesco |
15 Gestures…For All that Struck the Earth (2000) 5 minutes A quartet set to Allegri's Renaissance Mass piece, Miserere. Structural elements of space and time are rigorously applied to a string of 15 gestures, contrasting abstraction, ritual and drama. |
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The Angel Who Would Not Speak to God (2000) 4 minutes A solo that contemplates the enormous suffering of mankind in spite of a benevolent God. It is inspired by the short story of the same title by Devin Poore. |
![]() Photo: Rosalie O'Connor Dancers: Jessica Swainbank, Francesca Todesco, Rosanne Fonteyne |
The Mourning After (1999) 10 minutes A dance for five women, four chairs and 200 daisies. Inspired by pagan rites and medieval art it explores the human response to death. |
![]() Photo: Rosalie O'Connor Dancers: Michelle Winchell, Terence Duncan |
Valentine (1997) 14 minutes A work for six dancers blends modern dance, theatrical collage, and imagery inspired by Rodin and Klimt. Notions of first love, lust and loss are played against a backdrop of musical excerpts. |